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X-WR-CALDESC:Propagator level members will enjoy their monthly wine recepti
 on while mixing and mingling with this Pulitzer Prize finalist (1982 Featu
 re Photography). Walt Stricklin uniquely captures levels of empathy and co
 mpassion in still moments\, creating visual metaphors for the human condit
 ion. Constrained by the conventions of traditional photojournalism\, he so
 ught and found his own visual language. Borrowing from the iconic works of
  David Hockney\, he merged his curiosity of cultural anthropology into a s
 eries documenting the world\, covering everything from Mongolian herdsmen 
 to Delta juke joints. His current work focuses on country churches. \n\nHe
 re's what he has to say about it:\n'My composite landscapes are my attempt
  to capture that touch between people and the harmony they have with the p
 lace in which they live. I am in awe of the world and how people have adap
 ted to living in it. This only emphasizes my belief that our environment s
 hapes us as much as we shape our surroundings. The rural south is just one
  small example of the varied geography and socioeconomics of our world and
  how that strength of fellowship can shape a community.\n\nConstructing my
  panoramas by hand from individual photographs gives me the opportunity to
  present landscapes that have a wholly different perspective that anything
  that can be photographed in a single image. They are sculptures that allo
 w me to blend time\, location and my perception of the situation. They go 
 beyond the predetermined proportions of a camera or the homogenized applic
 ations of a computer generated panorama\, allowing the composition to go w
 herever they lead with movement both inside and outside\ntheir frame. \n\n
 They are not meant to be perfect\; the many individual imperfections are l
 eft to engage and draw the viewer into my images for the enjoyment of disc
 overy and to help them celebrate our imperfect humanity. I want my Scapes 
 to have a lyrical quality that allows the viewer to see the music of the v
 isual world celebrating the harmony of place and people\, while respecting
  our unique qualities.'\n\nJoin us on the 14th to hear more\, directly fro
 m Walt himself.\n\nThis propagator member event will roll into the general
  artist reception beginning at 6 p.m. \n
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DTSTART:20161106T020000
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RDATE:20181104T020000
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BEGIN:VEVENT
UID:dbd24416-3711-4749-91d3-cf388522970f
DTSTAMP:20260419T125409Z
DESCRIPTION:Propagator level members will enjoy their monthly wine receptio
 n while mixing and mingling with this Pulitzer Prize finalist (1982 Featur
 e Photography). Walt Stricklin uniquely captures levels of empathy and com
 passion in still moments\, creating visual metaphors for the human conditi
 on. Constrained by the conventions of traditional photojournalism\, he sou
 ght and found his own visual language. Borrowing from the iconic works of 
 David Hockney\, he merged his curiosity of cultural anthropology into a se
 ries documenting the world\, covering everything from Mongolian herdsmen t
 o Delta juke joints. His current work focuses on country churches. \n\nHer
 e's what he has to say about it:\n'My composite landscapes are my attempt 
 to capture that touch between people and the harmony they have with the pl
 ace in which they live. I am in awe of the world and how people have adapt
 ed to living in it. This only emphasizes my belief that our environment sh
 apes us as much as we shape our surroundings. The rural south is just one 
 small example of the varied geography and socioeconomics of our world and 
 how that strength of fellowship can shape a community.\n\nConstructing my 
 panoramas by hand from individual photographs gives me the opportunity to 
 present landscapes that have a wholly different perspective that anything 
 that can be photographed in a single image. They are sculptures that allow
  me to blend time\, location and my perception of the situation. They go b
 eyond the predetermined proportions of a camera or the homogenized applica
 tions of a computer generated panorama\, allowing the composition to go wh
 erever they lead with movement both inside and outside\ntheir frame. \n\nT
 hey are not meant to be perfect\; the many individual imperfections are le
 ft to engage and draw the viewer into my images for the enjoyment of disco
 very and to help them celebrate our imperfect humanity. I want my Scapes t
 o have a lyrical quality that allows the viewer to see the music of the vi
 sual world celebrating the harmony of place and people\, while respecting 
 our unique qualities.'\n\nJoin us on the 14th to hear more\, directly from
  Walt himself.\n\nThis propagator member event will roll into the general 
 artist reception beginning at 6 p.m. \n
DTSTART;TZID=America/Chicago:20170814T170000
DTEND;TZID=America/Chicago:20170814T180000
LOCATION:Eddie and Kay Aldridge Arts and Historical Collections Museum
SUMMARY:Propagator Wine Reception - Photographer Walt Stricklin
END:VEVENT
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